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By N. Y.) Metropolitan Museum of Art (New York

ISBN-10: 0300093691

ISBN-13: 9780300093698

This quantity takes us on a journey of The Metropolitan Museum of Art's American Wing, which homes a set of yank work, ornamental arts, richly supplied interval rooms, and architectural monitors. the great survey starts off with colonial portraiture after which strains the emergence and improvement of a countrywide fantastic arts culture. There are masterpieces of portray, sculpture, and drawing in addition to beautiful examples of yank furnishings, silver, glass, ceramics and textiles. Architectural shows comprise the tremendous marble facade of the department financial institution of the us and the lounge of a Frank Lloyd Wright Prairie-style apartment.

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What GirlZone organizers took away from these events was the need to have spaces to hash out the complex issues involved in activism. Community members must have neutral spaces and multiple opportunities to engage each other even if, perhaps especially if, they disagree. Since activism at GirlZone generally meant feminist activism, organizers wanted GirlZone to be a place where people did not take up predetermined “feminist” positions, whatever these might be. In sync with, yet initially unaware of, a new generation of feminist writers who felt that second-wave feminisms were essential but insufficient,15 GirlZone organizers began the bumpy process of building a community that would question what “feminist” activism is, who gets to define it, and how to validate differences while staying unified enough to forward their agendas.

Questions such as these are not new and were certainly being asked by others in the youthquake,41 yet I found them compelling. As a feminist living in the second- and third-wave tensions of the mid-1990s, I believed feminism was still relevant, but was unsure how to understand and represent this relevance. While thinking through these questions, I particularly valued GirlZone’s feminist community, loose as it was. , Take Back the Night rallies), I wanted ongoing involvement with women and girls about pressing topics that were both serious and fun.

Aimee learns of the United Way’s rejection of GirlZone’s grant application. GirlZone ends after the third annual GrrrlFest. ing to business management. In this way, GirlZone reflects what academic and activist Eric Schragge sees as the professionalization of the community sector. 11 Like others who participated in the emerging youthquake during the 1990s, GirlZone organizers experienced how this shift poses significant dilemmas that might motivate and plague passionate community members seeking to make social change on a local level.

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A Walk Through the American Wing by N. Y.) Metropolitan Museum of Art (New York

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