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's American Cinema of the 2000s: Themes and Variations PDF

ISBN-10: 0813553237

ISBN-13: 9780813553238

The last decade from 2000 to 2009 is framed, at one finish, by way of the anxious disaster of the Sep 11 assaults at the global exchange heart and, on the different, by way of the election of the 1st African American president of the USA. In among, the USA and the realm witnessed the quick growth of latest media and the net, such normal failures as typhoon Katrina, political uprisings world wide, and an important meltdown of worldwide economies.

Amid those crises and revolutions, American motion pictures spoke back in a number of methods, occasionally without delay reflecting those turbulent instances, and infrequently not directly couching historical past in conventional genres and tales.

In American Cinema of the 2000s, essays from ten most sensible movie students study such renowned sequence because the groundbreaking Matrix motion pictures and the gripping adventures of former CIA covert operative Jason Bourne; new, offbeat movies like Juno; and the resurgence of documentaries like Michael Moore’s Fahrenheit 9/11.  every one essay demonstrates the advanced ways that American tradition and American cinema are sure jointly in sophisticated and tough methods.

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In some instances homage is paid to classics, such as E. Elias Merhige’s Shadow of the Vampire, with its imaginary narrative of the making of F. W. Murnau’s Nosferatu (1922). ” The comment is telling, for it articulates the anxiety of cinema in the 1920s to find its place among the other more established arts such as theater. Film is vampiric, feeding off other forms; and at the dawn of the new millennium the same anxiety prevails—cinema’s role within the entertainment industry and its various competing offshoots.

This “ultimate show” is actually the penultimate act before they finally hit their target and kill the actor like an animal. Video recordings of his dead face in close-up, eyes wide open, are projected around the nation. The public execution, witnessed by a thrill-seeking audience with an insatiable desire for ever-more spectacular images (not so different from the gladiator spectators during ancient Roman), moves us back in time to the weekly entertainment of public lynchings in the American South (postcards of such events were often made and circulated), and forward in time to the taped executions carried out by al-Qaeda and circulated in the media.

Their film, they proclaim, will be based on reality—a reality show. It will be produced outside the scope of a studio and without professional actors (excluding Honey). Reminding the viewer of this “reality” is Patty Hearst, former hostage turned SLA terrorist, who appears in the film as another character’s mother. By the film’s end, Honey will (like Hearst) be converted by those who hold her captive. Akin to those directors worthy of a tattoo, John Waters is a longtime independent filmmaker who has not sold out and has assumed cult status.

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American Cinema of the 2000s: Themes and Variations

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